He shoots his antihero in truly gorgeous black-and-white, using a camera that seems, at times, to be remarkably lucid, as if on ecstasy.” “Lives up to the hype: Scorsese’s direction really is that kinetically brilliant. Michael Chapman’s shimmering b&w spotlights Scorsese’s seemingly effortless evocation of place and time - an era of flashbulbs, big cars, hats, and no air conditioning.

Supporting nominee Pesci was managing a restaurant when De Niro suggested him for the role then Pesci suggested teenage model/acting neophyte - and eventual fellow nominee - Moriarty as the wife. (The vivid fight scenes, only minutes on screen, took six weeks to shoot, the sound of punches landing supplied by squashing melons and tomatoes, the blood by Hershey’s chocolate). De Niro trained with the real La Motta for a year (by the end, La Motta ranked him “in the first top twenty middleweights”), won two out of three actual matches, broke Pesci’s rib in their sparring scenes, then packed on fifty pounds during a four-month shooting hiatus to play the bloated years. Scorsese’s profanity-packed blowtorch boxing biopic of the middleweight legend has consistently topped critics’ Best of the Decade lists, while winning a Best Actor Oscar for De Niro’s tour de force (and the first of a record three for film editor Thelma Schoonmaker). Robert De Niro’s Jake La Motta never hits the canvas, but his out-of-the-ring battles with wife Cathy Moriarty and brother Joe Pesci are a war of attrition with no winners. Starring Robert De Niro, Joe Pesci, Cathy Moriarty

Scorsese raging bull